Quick lessons on modes, improvisation, and fretboard mastery. Each short breaks down one concept you can practice today.

The opening line of Cannonball Adderley's solo on "Milestones," played on guitar with the notation and TAB scrolling under the video

Upper structures give you a wider palette for your guitar solos
The distinction between "rhythm guitar" and "lead guitar" is **not very useful**
Guitarists often **overemphasize harmony** at the expense of rhythm
Use **stock progressions** (common chord progressions) as a launching point
Practice **inside-outside-inside** over a drone
means outlining chords as they happen in your solo
The "blues scale" with chromatic notes doesn't always sound bluesy in practice
Playing scales on **one string** reveals the interval pattern visually
Play everything in one position
Instead of E minor or E major pentatonic over E, try **B minor pentatonic**
Build different arpeggios on top of a **minor chord drone** for varied sounds
for fluid arpeggio playing
Find **arpeggio shapes that align with chord voicings** you already know
The **7sus4 arpeggio** is a standard 7th arpeggio with the 4th added
have an upper voice that sounds like a dominant 7
Add color to **dominant 7th chords** by playing related arpeggios
Each note in a chord is called a **voice**
Use **low string voicings** for a deeper, richer sound
Limit yourself to **3 adjacent strings** to discover new voicings
An **inversion** rearranges the notes of a chord (same notes, different order)
Play the major scale on one string, then add a third above each note
Finding the **1, 4, 5** chords helps you play along with music by ear
Build chords from the major scale to get the chords "in a key"
Every major key has a corresponding **relative minor** key
is a color variation of the major scale
You can play full progressions **without barre chords**
Build stretches into your playing rather than doing separate hand exercises
Here's a lesson on building speed and dexterity with the guitar. There's one thing I want you to take away: **speed is only as good as your sense of r...
Step 1: Line up your second finger and thumb on the fretboard
Use the **side of your finger**, not the fleshy part, for barre chords
reduces picking work while maintaining speed and articulation