Learn 7th chord arpeggios in one position at a moderate tempo

Level up your 7th chord arpeggios and go faster—16th note feel at 95bpm

Get started with chromaticism—here are some ideas to play over a dominant chord. Works well over C7 or Gm7 chords.

Play this bebop-like arpeggio run outlining a Gm11 chord

Learn chords, scales, and arpeggios to express the Dorian tonality

Learn chords, scales, and arpeggios to express the Harmonic Minor tonality

This exercise is built from the harmonized diatonic scale—we approach each diatonic chord of the G major scale from an upper neighbor tone (descending pattern) and then from a lower neighbor tone (ascending pattern).

Learn another position for 7th chord arpeggios in C

Play ascending 7th chord arpeggios in the key of C

Play ascending 7th chord arpeggios in the key of G

The first four arpeggios in the key of C

Ascending arpeggios from 5 to 1 in the key of C

An arpeggio line using a secondary dominant movement to set up the 2 chord. Key of C.

Level up your 7th chord arpeggios and go faster—16th note feel at 95bpm

Play Fmaj7 as a chord synonym for Dm7

Play Am7 as a chord synonym for Dm7

Play Dm9add11 - an extended Dm7 chord with Fmaj7 & Am7 in the upper structure

Play Dm6 to create a Dorian minor sound

Play this chord synonym - G9 for Dm6

Play this descending line over a C7 or Gm7 chord

Play line this to create a Lydian Dominant color—using b7 and #4

This chord groove shifts the bass note to produce a Lydian chord—with the #4 in the bass

Chord & arpeggio studies for this memorable Frank Ocean song.

Play Dmi(maj7) to create a tonic minor sound. Also implies V7 to i (A7 to Dm)

A series of shapes for Cmaj7, which can be applied to any maj7 chord by shifting the root note.

Here we move a classic bebop lick through different tonalities, all resolving to C major.